The ukhamba endures. Not because an institution preserved it, but because a woman in Eshowe learned from her mother, who learned from hers. Jabulile Nala is the latest custodian of a ceramic language centuries in the making.

What happens when a painter refuses to let skin define his subjects? Mpho Feni's chromatic practice channels Frantz Fanon's vision of a post-racial, humanistic future.